Harvard Magazine honors writers

Recognizing two outstanding contributors to the magazine's contents during 2013

We salute two outstanding contributors to Harvard Magazine for their work on readers’ behalf during 2013, and happily confer on each a $1,000 honorarium.

Art historian Jennifer L. Roberts—Agassiz professor of the humanities and chair of the committee on degrees in American studies—sparked wide discussion with “The Power of Patience” (November-December, page 40), her probing essay on teaching students to decelerate and to immerse themselves in their subjects in pursuit of deep learning. It is fitting that we recognize her work with the Smith-Weld Prize (in memory of A. Calvert Smith ’14, a former secretary to the Governing Boards and executive assistant to President James Bryant Conant, and of Philip S. Weld ’36, a former president of the magazine), which honors thought-provoking writing about Harvard.

Nathan Heller ’06, a past Harvard Magazine Ledecky Undergraduate Fellow, now a staff writer for The New Yorker, crafted a richly reported and wonderfully composed feature on Porter University Professor Helen Vendler’s long collaboration with Arion Press, one of the country’s most distinguished fine-book publishers, in “A Nearly Perfect Book” (September-October, page 34)—the latest of his many excellent articles in these pages. We take special pleasure in awarding him the McCord Writing Prize, named for David T.W. McCord ’21, A.M. ’22, L.H.D. ’56, in recognition of his legendary prose and verse composed for these pages and for the Harvard College Fund.

We warmly thank both.

Related topics

You might also like

Long-discussed reorganization includes layoffs and the end of the Dudley Community.

A roundup of University news from the summer of 2026

FAS leaders say restructuring will be complete by mid-October.

Most popular

All That’s Unseen charts the Harvard graduate’s uneasy journey from Appalachia to Cambridge and back.  

After a final round of layoffs, University leaders say 165 staff jobs were eliminated across the division.

In 1954, Gregory Corso moved into Eliot House. How he stayed there is a literary legend.

Explore More From Current Issue

A busy classroom filled with students working at computers, colorful decor, and a bright atmosphere.

In 2004, a frenzy spread across Harvard Yard in days. Four billion users later, we are only just catching up.

A woman with curly blonde hair sits casually against a stone wall, wearing a black top and jeans.

Chloe Chapin trains her Broadway costume designer’s eye on the history of men’s fashion.

Three actors perform on stage, with one actor interacting closely with another, set against abstract backgrounds.

The play Spare Parts is a contemporary fable about the quest to live forever.