A correspondence corner for not-so-famous lost words

A correspondence corner for not-so-famous lost words

Steve Ladd writes: “Years ago I read a short piece in which a man radically addicted to in-depth travel noticed, at a wedding in rural eastern Europe, a fellow on-looker. Realizing he had seen that man before in other out-of-the-way places, he approached and they discussed their mutual interest in immersive travel. One offered the explanation, ‘I just want to be where it’s all happening.’ Can anyone identify this work?”

Send inquiries and answers to Chapter and Verse, Harvard Magazine, 7 Ware Street, Cambridge 02138, or via email to chapterandverse@harvardmag.com.

You might also like

America’s Past, Opera's Future: 11 New Books from Harvard Authors

These newly released novels, histories, and memoirs grapple with identity in all its forms.

How Adam Ehrlich Sachs Writes Absurd and Beautiful Fiction

The Gretel and the Great War author on how the Lampoon derailed his science career—and set him on a literary path.

The Year a Beat Poet Squatted at Harvard

In 1954, Gregory Corso moved into Eliot House. How he stayed there is a literary legend.

Most popular

To Promote Healthy Habits in Patients, Start With the Doctors

Why Harvard Medical School is training physicians to think more like coaches

How Philosophy at Harvard Saved Itself

As humanities shrink across higher education, one department is flourishing. Is its success a fluke, or a roadmap?

Three Harvard Unions Move Toward Strikes

Dining employees, academic workers unions join graduate students in threatening a walkout.

Explore More From Current Issue

A man with a long beard and formal attire stands next to a chalkboard with an equation.

Two tales of University greats—and an encounter with a Tiger

Two fans celebrate in front of a TV showing a football game.

A new Harvard Kennedy School project aims to harness the power of feral fandom.

Illuminated hanging sculptures resembling organic forms, casting warm light in a dim space.

Artists Enzo Camacho and Ami Lien turn a colonial symbol from Cambodia inside out.