
Articles: Arts
Arts
Jurassic World Dominion screenwriter Emily Carmichael on scripting Hollywood sci-fi epics
6.6.22
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Jurassic World Dominion screenwriter Emily Carmichael on scripting Hollywood sci-fi epics
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Jurassic World Dominion screenwriter Emily Carmichael on scripting Hollywood sci-fi epics
The revered literary magazine editor discusses the writing (and reading) life.
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Charles Altchek ’07 moves from the field to the front office.
As an assistant coach at the University of Michigan, Moore helped lead the Wolverines to the NCAA Tournament's Elite Eight.
Photograph by Michigan Athletics/courtesy of Harvard Athletic Communications
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Arts
Jurassic World Dominion screenwriter Emily Carmichael on scripting Hollywood sci-fi epics
6.6.22
Emily Carmichael
Photograph by Art Streiber for Universal Pictures and Amblin Entertainment
Jurassic World Dominion screenwriter Emily Carmichael on scripting Hollywood sci-fi epics
The film poster for DASH
Photograph courtesy of Spam Pictures
Actor and producer Alex Molina on filming a feature-length thriller in a single take
Abraham Riesman, at home in Providence with his cat, Barbara, writes about pop culture’s overlooked depths.
Photograph by Jim Harrison
Biographer Abraham Riesman plumbs the dark mysteries of the Marvel auteur
Jason Bateman and Jennifer Garner
Photographs by Niko Yaitanes/Harvard Magazine
Jennifer Garner and Jason Bateman received the 72nd annual honors.
During her Norton Lectures, Laurie Anderson sometimes dances with herself or plays a violin of her own invention.
Screenshot by Lily Scherlis
Artist Laurie Anderson delivers her fifth virtual Norton Lecture on Wednesday.
“/Gaishay focusing the camera,” a photograph taken during a 1957-58 ethnographic expedition in Namibia.
Photograph is a gift of Laurence K. Marshall and Lorna J. Marshall © President and Fellows of Harvard College, Peabody Museum of Archaeology and Ethnology, PM2001.29.15489
Seeking mentorship as a student of color, and finding a calling in the arts
Artificial-intelligence researcher Joy Buolamwini dons a white mask in the film Coded Bias to make herself visible to facial recognition software.
Film still by 7th Empire Media
Data journalist Meredith Broussard on “the civil-rights issue of our time”