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“It’s kind of like when you go to the library to check out one book, but it’s actually the book next to the book you were looking for that was the important one. A syllabus sets up that opportunity.”
Winthrop House interim faculty deans Mary Herlihy-Gearan and Mark Gearan
Photograph by Kevin Colton
After a tumultuous semester, Mark and Mary Herlihy-Gearan take up the reins.
A screenshot from Curricle, a new tool for exploring the curriculum. The word “curricle” refers to light, open, two-wheeled horse-pulled carriages popular during the nineteenth century. Schnapp chose the name because the word “curricle”—like the English word “curriculum”—derives from the Latin “curriculum,” meaning “race,” “running,” or “chariot.” “Curricle” as a platform name thus invokes the metaphor of the curriculum as an academic vehicle and journey.
Researchers with metaLAB (at) Harvard will test a new course exploration tool that presents the curriculum as a rich network of connections.
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“It’s kind of like when you go to the library to check out one book, but it’s actually the book next to the book you were looking for that was the important one. A syllabus sets up that opportunity.”
A screenshot from Curricle, a new tool for exploring the curriculum. The word “curricle” refers to light, open, two-wheeled horse-pulled carriages popular during the nineteenth century. Schnapp chose the name because the word “curricle”—like the English word “curriculum”—derives from the Latin “curriculum,” meaning “race,” “running,” or “chariot.” “Curricle” as a platform name thus invokes the metaphor of the curriculum as an academic vehicle and journey.
Researchers with metaLAB (at) Harvard will test a new course exploration tool that presents the curriculum as a rich network of connections.
Photograph by Barcin/iStock
A new study quantifies the global impact of declines in a single nutrient in a single crop, and hints at wider impacts.
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A screenshot from Curricle, a new tool for exploring the curriculum. The word “curricle” refers to light, open, two-wheeled horse-pulled carriages popular during the nineteenth century. Schnapp chose the name because the word “curricle”—like the English word “curriculum”—derives from the Latin “curriculum,” meaning “race,” “running,” or “chariot.” “Curricle” as a platform name thus invokes the metaphor of the curriculum as an academic vehicle and journey.
Researchers with metaLAB (at) Harvard will test a new course exploration tool that presents the curriculum as a rich network of connections.
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Bridget Terry Long
Photograph by Stephanie Mitchell/Harvard Public Affairs and Communications
New HGSE dean Bridget Terry Long seeks to “expand, double down, and deepen our impact.”
Dani Rodrik
Photograph by Stu Rosner
Dani Rodrik’s views on trade, development, and democracy enter the mainstream.
Dance theater company ANIKAYA’s The Conference of the Birds explores movement, self-knowledge, and human interdependence.
Photograph by Gary Alpert
Choreographer Wendy Jehlen’s “dance diplomacy”
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Community-focused jazz concerts in the Seaport
Photograph courtesy of the Boston Jazz Festival
The Boston Jazz Fest offers local and international artists.
Sashimi carpaccio
Photograph courtesy of Kamakura
Kamakura offers gem-like small plates in Boston.
Courtesy of Rebecca Tolkoff, @BeccasFitnessMind
Your guide to the best summertime activities
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An admissions scandal further damages the reputation of selective institutions of higher education.
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Click on arrow at right to see full statue and additional images
Prince Shōtoku at Age Two, a thirteenth-century Japanese icon made of wood with inlaid quartz eyesImage courtesy of the Harvard Art Museums/Arthur M. Sackler Museum, Partial and promised gift of Walter C. Sedgwick in memory of Ellery Sedgwick Sr. and Ellery Sedgwick Jr., 2019.122.
A Harvard Art Museums exhibit reunites a thirteenth-century Japanese icon with artifacts it once held.
Alexander Rehding
Photograph by Stu Rosner
The Peabody professor of music, in brief
Dance theater company ANIKAYA’s The Conference of the Birds explores movement, self-knowledge, and human interdependence.
Photograph by Gary Alpert
Choreographer Wendy Jehlen’s “dance diplomacy”
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Frank Doyle, in full ref attire, is fluent in Newton’s laws of motion—and the laws of the game.
Photograph by Jim Harrison
On the weekends, SEAS dean Frank Doyle steps out of his office and onto the pitch.
Red Rocks Conservation Area, in Gloucester, Massachusetts
Photograph by Vladislav Sevostianov
Rock climbing in Greater Boston—and beyond
more Harvardiana
Photograph by Allison Kern/Harvard Magazine
A hen turkey and her seven poults have settled near the eastern end of Harvard Yard.
Stephen Jay Gould
Photograph by Richard Howard/The LIFE Images Collection
Country dance, saving homework from a burning car, and Stephen Jay Gould on 9/11
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July-August 2019
Stuart Schreiber sits “where I go to talk to my mother,” by the memorial paver that he had installed for her at Boston’s Rose Kennedy Greenway.
Photograph by Jim Harrison
A scientist discovers his own family’s secrets.
From the archives
American activists unfurl a banner in front of the Supreme Court.
James M. Thresher/Washington Post/Getty Images
An historian tracks the death penalty’s persistence in America.
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Click on arrow at right to see full statue and additional images
Prince Shōtoku at Age Two, a thirteenth-century Japanese icon made of wood with inlaid quartz eyesImage courtesy of the Harvard Art Museums/Arthur M. Sackler Museum, Partial and promised gift of Walter C. Sedgwick in memory of Ellery Sedgwick Sr. and Ellery Sedgwick Jr., 2019.122.
Arts
A Harvard Art Museums exhibit reunites a thirteenth-century Japanese icon with artifacts it once held.
6.17.19
Since 2016, says showrunner David Mandel, shown here with Veep stars Julia Louis-Dreyfus and Tony Hale (below), it has become increasingly difficult for the show to outrun reality.
Photograph by Justin M Lubin/HBO
Showrunner David Mandel guides the final season of Veep—and finds himself politicized.
Nell Scovell
Photograph by Robert Trachtenberg
TV writer Nell Scovell looks back on Just the Funny Parts.
Colin Jost (left) with his co-host, Michael Che, at the Weekend Update desk for Saturday Night Live
Photograph by Will Heath/NBC/NBCU Photo Bank via Getty Images
Comedian Colin Jost, from Shouts and Murmurs to Saturday Night Live
From left: Sam (Annie Parisse), Nick (Nat Faxon), Ethan (Keegan-Michael Key), Lisa (Cobie Smulders), Marianne (Jae Suh Park), Max (Fred Savage), and Felix (Billy Eichner)
Photograph by David Lee/Netflix
The real tragedy underlying Friends from College stems from the indignities of the post-recession economy.
Jaunts to Nashville and Italy aside, Master of None stays, and is filmed, in New York City. On set in the subway, castmates Lena Waithe (left) and James Ciccone confer with co-creators Aziz Ansari and Yang.
Photograph by KC Bailey/Universal Television/NBCU Photo Bank via Getty Images
Alan Yang serves up warm, epicurean comedy.
Documentarian Kent Garrett ’63 returned to Harvard last fall for a screening of his work.
Photograph by Jim Harrison
How Black Journal raised the country's consciousness, and opened Kent Garrett's eyes to television's potential
Octavia Spencer at a screening of Hidden Figures at the Smithsonian’s National Museum of African American History and Culture
Photograph by Joel Kowsky/NASA
The actress will attend the Hasty Pudding's festivities on January 26.
Lee leaps down the stage with co-star Kelli O’Hara in The King and I’s iconic polka, “Shall We Dance?”
Photograph by Paul Kolnik
An actor’s rule on stage and screen
