Dead or Alive? Seems Like a Simple Question, But...

The "Ideas" section in this week's Boston Sunday Globe had an article exploring how the advances of modern medicine have made "death" a subjective term...

The "Ideas" section in this week's Boston Sunday Globe had an article exploring how the advances of modern medicine have made "death" a subjective term—cardiac arrest no longer means certain death, and even the standard of brain death isn't crystal-clear: some brain-dead patients continue to display activity in the hypothalamus.

The story quotes Dr. Robert Truog, director of the Institute for Professionalism and Ethical Practice at Children's Hospital Boston and a professor of medical ethics at Harvard Medical School. An excerpt:

This debate exposes a jarring collision: On the one hand, there is the view that life and death are clear categories; on the other, there is the view that death, like life, is a process. Common sense—and the transplant community—suggest that death is a clear category. Truog and other critics suggest that this is to ignore reality.

"They think, 'We can't remove these organs unless we decide that you're dead,’” says Truog, "so the project becomes gerrymandering the criteria we use to call people dead."

To find out what else Truog said, read the Globe story here. For Truog's take on another issue—disclosing medical errors to patients and their families—read "The Talking Cure" in the current issue of Harvard Magazine.

Related topics

You might also like

Harvard’s Arthur Kleinman reflects on what’s lost when healthcare systems prioritize efficiency.

A theatrical reenactment explores a 1976 clash between science and democracy.

An animal’s journey from grief to love shows how much humans need each other, too.

Most popular

In her memoir All That's Unseen, Emilee Hackney explores religion, friendship, and home.

A new federal rule sparks uncertainty for graduate students.

FAS leaders say restructuring will be complete by mid-October.

Explore More From Current Issue

Five individuals are posed in a monochrome outdoor setting near a cinderblock building, some standing, some seated.

Photographer and writer Morgan Smith chronicles life beyond the violence in Ciudad Juárez and other Mexican towns.

A woman with long, silver hair rests her chin on her hand, wearing a black top.

Author and Harvard Divinity School writer-in-residence Terry Tempest Williams finds beauty in the world around us.

An open book with a film strip emerging, trailing popcorn and a dancer silhouette.

Readers Respond to Our Adaptations Survey

We asked people to share their favorite art adaptations. Here’s what they said.