Quotation Q and A

Correspondence on not-so-famous lost words

Marty Mazzone writes: “My mother used to say, as fast as she could,   ‘The high uffum buffum and the compound presser and squeezer and the beefer dog trim.’ At least, that’s what we think she used to say. She would never repeat it for us on the spot. Can anyone identify the origin of this very strange, unGoogle-able phrase?”

 

John Sundquist requests the origin of the assertion, “Love is the determined caring for the good of another.”

 

Alejandro Jenkins writes: “In his autobiography, Witness, Whittaker Chambers refers twice to a ‘print [by] a nineteenth-century Italian painter’ showing ‘a hooded skeleton, beckoning to its embrace a line of proletarian figures with bundles—rather like a scene in an Ellis Island waiting room.’ The caption was Il Conforto—Death, the Comforter. What is the work in question, and who made it?”

 

“Love and war” (November-December 2009). Paul Reid, coauthor with the late William Manchester of the forthcoming third volume of The Last Lion: Defender of the Realm, writes:  “It is doubtful that Churchill said this. The expression does not appear in Richard Langworth’s definitive collection of Churchill quotations, Churchill by Himself, the index of which contains more than 60 entries under ‘war’ (‘love’ does not appear in the index, Churchill not being one to declaim on matters of the heart). Likewise, the expression is not to be found in Kay Halle’s classic, Irrepressible Churchill. As well, a word-search of Churchill’s speeches (edited by Robert Rhodes James) spanning 1935-1963 fails to yield the phrase. Nor is it mentioned by any of the numerous diarists who recorded Churchill’s remarks, including Jock Colville, Anthony Eden, Alexander Cadogan, Harold Macmillan, Harold Nicolson, and Alan Brooke. A web search also yielded no results. I believe the quotation Mr. Ehrenreich seeks to verify cannot be traced to Churchill. It lacks the snap and crackle of Churchill’s impromptu remarks (most of which were well rehearsed).”

Send inquiries and answers to “Chapter and Verse,” Harvard Magazine, 7 Ware Street, Cambridge 02138, or via e-mail to chapterandverse@harvardmag.com.

You might also like

For This Poet, AI is a Writing Partner

Sasha Stiles trained a chatbot on her manuscripts. Now, her poems rewrite themselves.

These Harvard Mountaineers Braved Denali’s Wall of Ice

John Graham’s Denali Diary documents a dangerous and historic climb.

How Stories Help Us Cope with Climate Change

The growing genre of climate fiction offers a way to process reality—and our anxieties.

Most popular

AI Outperforms Doctors in Emergency Room Tasks, New Harvard Study Shows

Researchers say the technology could help physicians with triage, diagnosis.

Ask a Harvard Professor with Rebecca Henderson

How to reform capitalism to confront climate change and extreme inequality, with economist and McArthur University Professor Rebecca Henderson

Why Is Silicon Valley Turning Conservative?

At the Harvard Kennedy School, Van Jones analyzes how Democrats lost the tech industry’s vote.

Explore More From Current Issue

A man holding a revolver and lantern, wearing a hat and coat, appears to be walking cautiously.

Scoundrels, Then and Now

On con men, Mark Twain, and the powers of the Harvard name

Brick archway with a sandy base, surrounded by wooden planks and boxes in a dim space.

How the American Revolution Freed a Future Abolitionist

Darby Vassall, an enslaved child freed after the Battle of Bunker Hill, dedicated his life to fighting for liberty.

A dancer in a black leotard poses gracefully in a bright studio, with mirrors reflecting her movement.

A New ‘Black Swan’ Musical Cranks Up the Tension

The creative team of the A.R.T.’s new show dish on adapting Darren Aronofsky’s thriller classic from screen to stage.