Grammy-winning bluegrass musicians to perform at Harvard

The Barker Center hosts a February 6 symposium on bluegrass music, with an evening performance by Grammy-winning artists.

"Fire on the Mountain: A Bluegrass Symposium" will bring experts in, and aficionados of, American bluegrass music to the Barker Center on Saturday, February 6, for an all-day program, followed by an evening performance at 7 P.M. featuring  Grammy Award winners Alison Brown ’84 (banjo), Sam Bush (mandolin), and Bobby Hicks (fiddle). Another Grammy winner, Neil Rosenberg, an author and folklorist, will also participate. Sponsors include the Office for the Arts at Harvard, the Folklore and Mythology Program, and the Harvard College American Music Association, a student group dedicated to American “roots” music founded by Forrest O’Connor ’10. The symposium is free and open to the public; no tickets are required.

You might also like

The Harvard-Radcliffe Collegium Musicum reunites for a 50th anniversary tour around France.

A theatrical reenactment explores a 1976 clash between science and democracy.

The Harvard Arts Medalist wants his smash-hit Cats revival to reach “as many young queer people” as possible.

Most popular

All That’s Unseen charts the Harvard graduate’s uneasy journey from Appalachia to Cambridge and back.  

Singer Elisa Smith’s whiskey-soaked voice and subversive feminism is part of the genre’s urban shift.

Before a data center is built, Francesca Dominici and Le Xie aim to predict costs to the grid, the air, and the neighbors next door.

Explore More From Current Issue

Black and white photo of Joseph Murray in a white lab coat sitting in an office.

Nobel Prize recipient Joseph E. Murray dedicated much of his career to organ transplant surgery.

Colorful abstract design resembling an octopus with intricate swirls and patterns.

Growing liver implants, mapping the sense of smell, and journalism at risk

Singer performing on stage with a guitar, wearing a hat, and surrounded by band instruments.

Singer Elisa Smith’s whiskey-soaked voice and subversive feminism is part of the genre’s urban shift.