The Brattle Theatre shows Mynette Louie's film Children of Invention

Boston-area readers can catch the film in Harvard Square starting this weekend. Producer Mynette Louie ’97 will appear at some screenings.

A production still from <i>Children of Invention,</i> with Crystal Chiu as Tina and Michael Chen as Raymond

A production still from Children of Invention, with Crystal Chiu as Tina and Michael Chen as Raymond | Photograph by Will Seber

The independent film Children of Invention, produced by Mynette Louie ’97, is playing at the Brattle Theatre in Harvard Square from Friday, February 26, through Thursday, March 4.  In an interview in Harvard Magazine's March-April issue, Louie discusses Children of Invention and the wider subject of independent filmmaking today; the accompanying Web Extra features a trailer and a video clip from her film. Louie and director Tze Chun will be present for the Friday- and Saturday-night screenings at the Brattle Theatre engagement.

You might also like

The Harvard-Radcliffe Collegium Musicum reunites for a 50th anniversary tour around France.

A theatrical reenactment explores a 1976 clash between science and democracy.

The Harvard Arts Medalist wants his smash-hit Cats revival to reach “as many young queer people” as possible.

Most popular

FAS leaders say restructuring will be complete by mid-October.

In her memoir All That's Unseen, Emilee Hackney explores religion, friendship, and home.

An animal’s journey from grief to love shows how much humans need each other, too.

Explore More From Current Issue

Katie O’Dair in academic regalia holds a ceremonial staff outdoors at a graduation ceremony.

How Katie O’Dair makes kings, comedians, and parents feel welcome on campus.

A woman with long, silver hair rests her chin on her hand, wearing a black top.

Author and Harvard Divinity School writer-in-residence Terry Tempest Williams finds beauty in the world around us.

Singer performing on stage with a guitar, wearing a hat, and surrounded by band instruments.

Singer Elisa Smith’s whiskey-soaked voice and subversive feminism is part of the genre’s urban shift.