Update on Fogg Art Museum renovation

Gutting the Fogg Art Museum on the way to renovating it

The view on Prescott Street, east of the Fogg, following demolition of Werner Otto Hall

The view on Prescott Street, east of the Fogg, following demolition of Werner Otto Hall | Photograph by Jim Harrison

Looking north, toward William James Hall

Looking north, toward William James Hall | Photograph by Jim Harrison

The Fogg's main entrance, on Quincy Street

The Fogg's main entrance, on Quincy Street | Photograph by Jim Harrison

Interior demolition of the Fogg Art Museum proceeded during the early summer, leaving carefully sorted rubble ready for recycling, like the artfully arrayed metal at left. As the 1991 Werner Otto Hall (former home to the Busch-Reisinger Museum and Fine Arts Library) was razed, previously connected windows and passageways were shored up (and that doorway on the upper left of the Fogg structure became a dysfunctional exit). Decorative stonework was removed piece by piece and stored off-site, for later restoration.

Thereafter, the construction crews began preparing to excavate around the existing building—a delicate matter as the Fogg itself (shown above, along its Quincy Street entrance) and the sweeping Prescott Street ramp from Le Corbusier’s Carpenter Center had to be shored up and protected from damage by heavy equipment. New subsurface spaces and a Prescott Street entrance will emerge in the reconfigured museum complex, scheduled for completion in 2013. Regular photographic updates of the work in progress are available at harvardmag.com/sidewalk-superintendent.

You might also like

The organization said its amicus brief had not been reviewed internally.

The longtime administrator, who retired from the post in 2018, returns as the College reorganizes. 

The government also opens an investigation into financial aid awards to Chinese students.

Most popular

College staff whose jobs will be changed or eliminated were notified this week.

There’s a growing movement to curb light pollution. It starts on your front porch.

In her memoir All That's Unseen, Emilee Hackney explores religion, friendship, and home.

Explore More From Current Issue

A vibrant group of dancers in colorful outfits poses on a stage with shiny decorations.

The Harvard Arts Medalist wants his smash-hit Cats revival to reach “as many young queer people” as possible.

A woman with long hair stands confidently with crossed arms next to a pickup truck.

In her memoir All That's Unseen, Emilee Hackney explores religion, friendship, and home.

Vibrant urban scene at dusk featuring a mural on a building and illuminated structures.

The planned opening of the Goel Center in Allston for performances will be in spring of 2027.