The 2011 Graduate School of Arts and Sciences Centennial Medalists

Four scholars whose contributions to society were fostered at Harvard

From left to right: Richard Wall Lyman, Nell Irvin Painter, Heisuke Hironaka, and Jeffrey Alan Hoffman

From left to right: Richard Wall Lyman, Nell Irvin Painter, Heisuke Hironaka, and Jeffrey Alan Hoffman | Photograph by Jim Harrison

The Graduate School of Arts and Sciences Centennial Medal, first awarded in 1989 on the occasion of the school’s hundredth anniversary, honors alumni who have made contributions to society that emerged from their graduate study at Harvard. It is the highest honor the Graduate School bestows, and awardees include some of Harvard’s most accomplished alumni. The 2011 recipients, announced at a ceremony on May 25, are: Heisuke Hironaka, Ph.D. ’60, Fields Medal-winning mathematician and popular author of 26 books on science, mathematics, education, and creativity; space-walking astrophysicist Jeffrey Alan Hoffman, Ph.D. ’71, professor of the practice of aerospace engineering at MIT; historian and former Stanford president Richard Wall Lyman, Ph.D. ’54, now Stanford’s Sterling professor of humanities emeritus; and scholar of U.S. history Nell Irvin Painter, Ph.D. ’74, Edwards professor of history emerita at Princeton.

Related topics

You might also like

The Harvard-Radcliffe Collegium Musicum reunites for a 50th anniversary tour around France.

He was Harvard’s quintessential people person.

The former economics concentrator brings his talent for crunching numbers to netminding.

Most popular

In her memoir All That's Unseen, Emilee Hackney explores religion, friendship, and home.

Tomiko Brown-Nagin has been named dean of Stanford’s Graduate School of Education.

Sheila Jasanoff has spent her career studying how societies produce knowledge, evaluate expertise, and make decisions about technology.

Explore More From Current Issue

Singer performing on stage with a guitar, wearing a hat, and surrounded by band instruments.

Singer Elisa Smith’s whiskey-soaked voice and subversive feminism is part of the genre’s urban shift.

A chaotic scene in a messy room with people engaging in various activities, some cleaning.

Until the 1950s, professionals cleaned up after students in the dorms.

Five individuals are posed in a monochrome outdoor setting near a cinderblock building, some standing, some seated.

Photographer and writer Morgan Smith chronicles life beyond the violence in Ciudad Juárez and other Mexican towns.