New Orleans jazz comes to Cambridge

Rebirth Brass Band plays in Cambridge.

Rebirth Brass Band

Rebirth Brass Band | Courtesy of Rebirth Brass Band

Rebirth Brass Band
July 26, The Middle East, Cambridge
August 14, The Sinclair, Cambridge
View the website

The Grammy Award-winning, New Orleans-based Rebirth Brass Band brings its unique blend of heavy funk with a hip-hop edge and horn-blasting street jazz to Cambridge this summer. The two shows offer Northeasterners the rare chance to really let go—sing, shout, and dance “second-line” parade-style—without traveling to the South’s musical wellspring. “Rebirth…is more like a party than a machine,” according to The New York Times. “It’s a working model of the New Orleans musical ethos: as long as everybody knows what they’re doing, anyone can cut loose.” Founded in 1983 by high-school friends in the city’s Tremé neighborhood—tuba and sousaphone player Philip Frazier, his brother, bass drummer Keith Frazier, and trumpeter Kermit Ruffins—the group played on the streets of the French Quarter, reviving that tradition, and soon recorded hits like “Do Watcha Wanna,” and later played another, “Feel Like Funkin’ It Up,” in the opening scene of Treme, the HBO series about post-Katrina spiritual recovery. The band now performs all over the world and will no doubt be trumpeting their newest release, Move Your Body, which features the infectious “Rebirth Groove.”

You might also like

The Gretel and the Great War author on how the Lampoon derailed his science career—and set him on a literary path.

Chloe Chapin trains her Broadway costume designer’s eye on the history of men’s fashion.

Harvard Art Museums restores a rare glimpse of an American master.

Most popular

The University will compensate families of those whose remains were sold and establish a scholarship to honor anatomical donors.

The 1884 Cannibalism-at-Sea Case That Still Has Harvard Talking

The Queen v. Dudley and Stephens changed the course of legal history. Here’s why it’s been fodder for countless classroom debates.

Harvard art historian Jennifer Roberts teaches the value of immersive attention

Teaching students the value of deceleration and immersive attention

Explore More From Current Issue

A smiling elderly man in glasses sits comfortably in a striped armchair.

Plus, veteran higher education leader Thomas Ehrlich reflects on university curricula for his 70th reunion

Three hands hold smartphones displaying social media profiles with likes and hearts.

Tell us about how social media impacts your daily life.

A woman with curly blonde hair sits casually against a stone wall, wearing a black top and jeans.

Chloe Chapin trains her Broadway costume designer’s eye on the history of men’s fashion.