Aiming to “mix up genres and provoke the audience,” says A Far Cry violinist Alex Fortes ’07, the chamber orchestra performs Béla Bartók’s Divertimento for strings, then joins saxophonist Harry Allen to explore the 1961 musical work Focus. Composed by Eddie Sauter for Stan Getz, the tenor saxophonist improvises against a score for strings. Why the pairing? Bartók’s piece “broke new ground in form and craft,” Fortes says. Bartók also championed Sauter, whose lead movement in Focus, “I’m Late, I’m Late,” echoes Bartok’s Music for Strings, Percussion, and Celesta. The self-conducted A Far Cry has 17 young musicians (including Sarah Darling ’02 and Miki-Sophia Cloud ’04) all intent, Fortes says, on “inspiring and enlivening an audience through performance of classical music—broadly defined.” The group has released five albums, performed with Yo-Yo Ma ’76, D. Mus. ’91, among others, and is in residence at the Gardner Museum.
Strings, Sax, and a Dash of Sass

You might also like
Salsa Squared
Latin dancing fills the streets in Harvard Square
No More [Lovin’ That] Dirty Water
Enjoying the Boston Harbor’s Renaissance This Summer
Reconstructing the Berlin Wall
David Leo Rice explores the strange, unseen forces shaping our world.
Most popular
Explore More From Current Issue
David Leo Rice on 'The Berlin Wall'
David Leo Rice explores the strange, unseen forces shaping our world.