Profile of historian Elizabeth Hinton

A scholar of race, justice, and public policy

Elizabeth Hinton

Elizabeth Hinton
Photograph by Jim Harrison

Elizabeth Hinton’s fascination with the past started early. “As a little girl, I used to ask my parents to tell me about what I called then ‘the olden times.’” One central piece of family history concerned their decision to leave Georgia in the early 1940s. One night, a white man sat down far to the rear of an otherwise empty bus, and when Hinton’s grandfather refused to change his own seat, the bus driver pulled out a gun. Eventually, her grandfather found a job in Michigan, where Hinton grew up. “I like to say I was born in Ann Arbor, came of age in New York”—she studied at NYU and Columbia—“and now I’m coming into myself in Boston.” In 2014, she joined Harvard’s history and African and African American studies departments as an assistant professor. Behind her desk, posters of McGruff the Crime Dog glare at visitors—a fixture of public-service announcements, billboards, and TV commercials in the 1980s, when he exhorted citizens to “Take a bite out of crime.” Hinton’s recent book, From the War on Poverty to the War on Crime, draws on government archives and a flurry of Freedom of Information Act requests to trace mass incarceration in the United States back to the Johnson administration. “Some of the first feedback I got on what would become the book,” she says, “was from men who had experienced the criminal justice system first-hand,” whom she’d met while visiting loved ones in correctional facilities in California. In a small city in the central part of that state, she’s now working with local law enforcement on new approaches to procedural justice. “The Chief kind of considers me the Stockton police historian,” says Hinton. “The ways in which history is centered in ideas about moving forward, really, really gives me hope about what’s possible.”

Read more articles by Sophia Nguyen
Related topics

You might also like

From competing in youth gymnastics to studying tetrapods, the Harvard curator has always chased her curiosity.

In June, the Harvard community lost two titans who helped bring the University into the modern era. 

College staff whose jobs will be changed or eliminated were notified this week.

Most popular

All That’s Unseen charts the Harvard graduate’s uneasy journey from Appalachia to Cambridge and back.  

An animal’s journey from grief to love shows how much humans need each other, too.

In 1954, Gregory Corso moved into Eliot House. How he stayed there is a literary legend.

Explore More From Current Issue

A busy classroom filled with students working at computers, colorful decor, and a bright atmosphere.

In 2004, a frenzy spread across Harvard Yard in days. Four billion users later, we are only just catching up.

A woman with curly blonde hair sits casually against a stone wall, wearing a black top and jeans.

Chloe Chapin trains her Broadway costume designer’s eye on the history of men’s fashion.

Three actors perform on stage, with one actor interacting closely with another, set against abstract backgrounds.

The play Spare Parts is a contemporary fable about the quest to live forever.