Thanks to “Harvard Magazine” artists

With appreciation to two Harvard Magazine artists

We are honored to recognize two artists for their outstanding work on readers’ behalf during 2018, and to confer a $1,000 honorarium on each.


Robert Adam Mayer
Courtesy of Robert Adam Mayer 

New York-based photographer Robert Adam Mayer is a distinguished and sensitive portraitist—as amply demonstrated anew in his cover and interior images of black-studies scholar Fred Moten, for the January-February issue.


Phil Foster
Courtesy of Phil Foster

Phil Foster conceived vivid, compelling illustrations to drive home the importance of the arguments made by business and law professor Mihir A. Desai about the new federal tax law, in the May-June issue.

Our warmest thanks to these superb professionals.

~The Editors

Related topics

You might also like

The division is launching a new fundraising effort to support 50 additional students.

President Alan M. Garber used traditional Memorial Church address to consider the unique qualities of human intelligence and learning.

Due to rain, the University held dual Convocation ceremonies for the Class of 2030 in Sanders Theatre.

Most popular

Harvard’s Class of 2029 Reflects Shifts in Racial Makeup After Affirmative Action Ends

International students continue to enroll amid political uncertainty; mandatory SATs lead to a drop in applications.

Harvard Weathers a Year of Turmoil

The federal government has launched unprecedented actions against the University. Here’s a guide.

The University has pushed the adoption of AI into teaching and operations, but faculty resistance is growing louder.

Explore More From Current Issue

Runners compete on a track, with a Harvard athlete in the foreground and others behind.

After a historic 2025-26 season, athletes eye NCAA championships.

A glowing bulb shape surrounded by colorful, swirling energy lines against a blue background.

Harvard researchers achieve medical breakthroughs in cancer therapy and infection control.

A woman with curly blonde hair sits casually against a stone wall, wearing a black top and jeans.

Chloe Chapin trains her Broadway costume designer’s eye on the history of men’s fashion.