Alan Jenkins

A brief look at a Harvard Law School professor's long journey

Photograph of Alan Jenkins

Alan Jenkins
Photograph by Jim Harrison

Harvard Law School professor of practice Alan Jenkins ’85, J.D. ’89, first mentions his hometown (Great Neck, Long Island), but quickly moves on to his grandparents’. One pair moved to the United States from the Bahamas, the other from Georgia to Detroit during the Great Migration. “I’m kind of the product of those migrations in search of opportunity—economic opportunity and civil rights.” Entering the College, Jenkins knew he wanted to pursue “something social-justice oriented”—and continue filmmaking. In high school, he had shot movies and edited film by hand. His crowning achievement: a kung-fu feature he made with friends. (He still practices that martial art.) As an undergraduate he resurrected the Harvard Radcliffe Filmmaking Club and even considered a career in film before deciding on law. He spent a year at the ACLU before attending the Law School, where he edited The Civil Rights-Civil Liberties Law Review and met his wife, Kirsten Levingston, J.D. ’90. After a Supreme Court clerkship with Justice Harry Blackmun ’29, LL.B. ’32, LL.D. ’94, five years at the NAACP Legal Defense Fund, and a stint at the Justice Department, he and Levingston left Washington: “We often say we were the first people to move to New York City to slow down our lifestyle.” As director of human rights at the Ford Foundation, he led grant-making to groups focused on rights issues. Finding that many social-justice organizations struggled to share their ideas with the public, he left to co-found The Opportunity Agenda, a communications nonprofit. “My parents freaked out: ‘You’re leaving your job for what reason?’” He led the group for 13 years. Now, he’s back in Cambridge, teaching about race and the law, communication, and social justice. “For those who are trying to pursue a more fair and just society, I’m hoping to give them what took me 25 years to learn.” 

Read more articles by Jacob Sweet

You might also like

No More [Lovin’ That] Dirty Water

Enjoying Boston Harbor’s Renaissance this summer

Sister Acts and Cyanotypes

Julia Rooney’s paintings cross the analog-digital divide.

Reconstructing the Berlin Wall

David Leo Rice explores the strange, unseen forces shaping our world.

Most popular

The Professor Who Quantified Democracy

Erica Chenoweth’s data shows how—and when—authoritarians fall.

“Do You Find That Reasonable?” Harvard Undergraduates Discuss a Changing University

A student panel grapples—civilly—with shifting policies and differing opinions.

Harvard Adopts Reforms as Higher Ed Turmoil Continues

University creates new “interfaith engagement” role; Columbia, Brown settle with the government.

Explore More From Current Issue

a crowd of people dancing in a street

Latin dancing fills the streets in Harvard Square   

A six-foot-tall, five-panel folded screen stands in a field of grass next to the woods. It's painted different shades of green, with some squares cut out that represent digital pixels.

Julia Rooney’s paintings cross the analog-digital divide.

Illustration of Donald Trump and Alan Garber wearing boxing gloves, facing off beneath the quote: “The stakes are so high that we have no choice.”

Introducing a guide to the issues, players, and stakes.