Profile of physician and poet David Moolten

Experiences as patient and doctor have shaped David Moolten’s commitment to writing.

For David Moolten, medicine and poetry have formed a  symbiotic bond.

For David Moolten, medicine and poetry have formed a symbiotic bond. | Courtesy of Truman State University

David Moolten ’82, M.D., wakes up early in the morning—“usually between four and five,” he says. But Moolten, a pathologist for the Red Cross in Philadelphia, doesn’t have to check in for work until later. He gets up so that he can write. “For me, that’s the best part of the day,” he explains.

Why would the hours before daybreak be such a pleasure? In addition to his medical career, Moolten is also a poet, and his work has attracted the attention of prominent writers like David Ferry and Virgil Suárez. He has published three volumes, the most recent of which, Primitive Mood, won the T. S. Eliot Prize in 2009 from Truman State University, and his work has appeared in Poetry and the Kenyon Review. Moolten started writing in his junior year at Harvard, when Seamus Heaney and Derek Walcott were teaching; they would end up writing his recommendations for medical school. “[Walcott] said, ‘Well, you probably won’t have time to write, which is a shame,’ which was a nice thing to hear for someone who had just started writing,” he remembers.

Courtesy of Truman State University

 

As if motivated by Walcott’s prediction, Moolten continued to write throughout medical school. “I guess I made that commitment a long time ago because it was important to me, and I realized that if I didn’t, my writing would eventually die out because of the demands that are a normal part of medicine.” Time has informed much of his life and work; a diagnosis of Hodgkin’s disease at an early age led him into pathology, as opposed to a research career. “I didn’t know if I wanted to sacrifice a large chunk of time to training, when I didn’t know how much time I’d have,” he explains.

He says that his poetry, which frequently imagines characters in life situations quite different from his own, allows him to engage in “a humanistic or empathetic perception” that is related to having spent so much time as both patient and doctor. “Seeing poetry as having a healing quality is to look at social issues, I hope, not in a formulaic or a preachy kind of a way, but to be open, to look at them carefully,” he says. “I’m filling a personal gap.”

Read more articles by Spencer Lee Lenfield
Related topics

You might also like

Harvard College Dean Deming Launches Podcast

In interviews, he traces his guests’ circuitous routes to success.

This Harvard-Trained Lawyer Fights for the Rights of Chickens

Alene Anello wants to apply animal cruelty laws to birds raised for meat.

A Harvard Economist Probes the Affordable Housing Crisis

From understanding gender pay gaps to the housing crisis, Rebecca Diamond’s research aims to improve lives.

Most popular

An animal’s journey from grief to love shows how much humans need each other, too.

The retired government professor has been a rare conservative voice on campus for decades.

There’s a growing movement to curb light pollution. It starts on your front porch.

Explore More From Current Issue

Star-filled night sky with the Milky Way arching over a rocky silhouette.

There’s a growing movement to curb light pollution. It starts on your front porch.

A woman with long hair stands confidently with crossed arms next to a pickup truck.

In her memoir All That's Unseen, Emilee Hackney explores religion, friendship, and home.

A profile illustration of a man surrounded by colorful, whimsical text in multiple languages.

For both American and international students, growing up is like learning a new language.