At Harvard, anatomy on view, and the return of Pooh

Anatomy on view, and the return of Pooh

Photograph by Jake Miller/Harvard Medical School

Photograph by Jake Miller/Harvard Medical School

Photograph by Thomas Earle/Harvard Public Affairs and Communications

Photograph by Thomas Earle/Harvard Public Affairs and Communications

If you happened to be outdoors on the Harvard Medical School campus last November, you might have noticed this 78-inch-tall model of a bisected human skull making its way down Shattuck Street by Gordon Hall to a staging area in the basement of the Francis A. Countway Library of Medicine. It was accompanied by a 48-inch-long skeleton of a foot.

Both were commissioned by Thomas Dwight, A.B. 1866, M.D. 1867, when he became Parkman professor of anatomy at the medical school in 1883. Succeeding Oliver Wendell Holmes, A.B. 1829, M.D. 1836, he had big shoes to fill.

Both skull and foot have been retired from classroom use, but a second giant noggin, built in 1892 and sliced in half horizontally rather than vertically, is still being used to teach would-be physicians something of what goes on in there.

The recently perambulating skull and foot have been loaned to the Collection of Historical Scientific Instruments, in the Science Center on the Cambridge side of the Harvard establishment, where they will be part of Body of Knowledge: A History of Anatomy (in Three Parts), on view from March 6 to December 5, 2014. The exhibit will explore the roles of human anatomy “in scientific discovery, public spectacle, and medical education,” says co-organizer David S. Jones, Ackerman professor of the culture of medicine at Harvard. Items displayed will include astonishing illustrated texts created by anatomist Andreas Vesalius in the Renaissance, wax-injected limbs from nineteenth-century dissection labs, and digital atlases of today.

Down the hall in the Science Center, incidentally, one can examine a recent primitive thinking machine, the all-electronic Harvard Mark IV computer. And out the east door is a monument of sorts to a wise fellow, Winnie-the-Pooh. He, and occasionally some of his associates, were in residence there for many years in a tree (later its stump) and environs (see “In Pooh’s Neighborhood,” September-October 1997, page 77). Pooh left town for a quieter part of the wood some months ago, when Harvard and the City of Cambridge undertook the disruptive but successful construction of the Plaza, just outside the Science Center. Now Pooh has returned—triumphantly, may we suggest. For more about this, you have only to Google “winnie the pooh house harvard.”

You might also like

Derek Bok donated his car for a good cause.

In 1954, Gregory Corso moved into Eliot House. How he stayed there is a literary legend.

A theatrical reenactment explores a 1976 clash between science and democracy.

Most popular

The University will compensate families of those whose remains were sold and establish a scholarship to honor anatomical donors.

The 1884 Cannibalism-at-Sea Case That Still Has Harvard Talking

The Queen v. Dudley and Stephens changed the course of legal history. Here’s why it’s been fodder for countless classroom debates.

All That’s Unseen charts the Harvard graduate’s uneasy journey from Appalachia to Cambridge and back.  

Explore More From Current Issue

A flooded office scene with computers, a woman working, and a pink sunset backdrop.

A College student’s attempt to recapture the romanticism of the workplace.

A vase of yellow flowers on a table next to an orange and a glass.

Harvard Art Museums restores a rare glimpse of an American master.

A woman with long, wavy hair wearing a white suit, seated in a bright, modern room.

The Harvard graduate’s roundtable talk show touches on hot button issues from religion to sex.