Correspondence on not-so-famous lost words

Correspondence on not-so-famous lost words

Frank Wagner writes: “Years ago, I saw an early scene in a British (probably) movie in which a young barrister must cross-examine a witness at a trial because his Queen’s Counsel is suddenly indisposed. The young man uses his experience with betting on horses at the track to expose the witness’s lies and win the case. Can anyone identify the movie?”

Send inquiries and answers to Chapter and Verse, Harvard Magazine, 7 Ware Street, Cambridge 02138, or via email to chapterandverse@harvardmag.com.

Related topics

You might also like

For This Poet, AI is a Writing Partner

Sasha Stiles trained a chatbot on her manuscripts. Now, her poems rewrite themselves.

How Stories Help Us Cope with Climate Change

The growing genre of climate fiction offers a way to process reality—and our anxieties.

These Harvard Mountaineers Braved Denali’s Wall of Ice

John Graham’s Denali Diary documents a dangerous and historic climb.

Most popular

AI Outperforms Doctors in Emergency Room Tasks, New Harvard Study Shows

Researchers say the technology could help physicians with triage, diagnosis.

Social Media Use and Adult Depression

A survey reveals suprising links between social media use and depression in adults.

“AI Anxiety”

The Undergraduate on the uneasy collision of technology and writing

Explore More From Current Issue

White House and Harvard University buildings split diagonally with contrasting colors.

Harvard Weathers a Year of Turmoil

The federal government has launched unprecedented actions against the University. Here’s a guide.

Historical scene in colonial Boston depicting British soldiers confronting civilians, with smoke rising, in a city street.

Houghton Library Displays Revolution-era News and Propaganda

A new exhibit reveals how early Americans learned about the war.

A dancer in a black leotard poses gracefully in a bright studio, with mirrors reflecting her movement.

A New ‘Black Swan’ Musical Cranks Up the Tension

The creative team of the A.R.T.’s new show dish on adapting Darren Aronofsky’s thriller classic from screen to stage.