Not Building by the Book

With 90 Mount Auburn Street, avant-garde Harvard Square may soon be home to one of the architectural "gems"...

With 90 Mount Auburn Street, avant-garde Harvard Square may soon be home to one of the architectural “gems” that Pritzker Prize-winner Hans Hollein is famous for in Vienna. Harvard selected Hollein, says Scott Levitan, director of University and commercial real estate, “because the core of his work has been modern buildings in the heart of baroque Vienna—modern expressions that are nevertheless integrated with the historic fabric of the city.” With co-architects Bruner/Cott & Associates Inc. of Cambridge, Hollein has created a building that strives to be “contextual” despite the modernism of its wave-form façade. “Contextualism says that there is a legitimate modern language of design,” explains Levitan, “that one doesn’t have to build only Georgian revival in order to be contextual—that in fact, if one operates in that faux historicist mode, it is possible to lose sight of what is real and what is a copy.” Levitan and the architects have been working with Peter Rowe, dean of the Graduate School of Design (GSD), and local authorities to get preliminary feedback on the design.

Hollein’s building is small, in scale with the neighboring Fox and former D.U. clubhouses. Though the exterior side walls are bronze, they are of the same tone as the surrounding brick, says GSD faculty member Lee Cott, M.A.U. ’70, of Bruner/Cott. The north-facing, sloped-glass façade is screened with a metal mesh made of vertical bronze rods interwoven with horizontal cables of stainless steel. Rectangular glass boxes centered on the façade serve as a division that breaks up the wave-forms, says Cott, who designed the copper ornament on the Office for the Arts building in the next block (see “Light Catcher,” September-October 1998, page 75).

Consistent with Harvard Square overlay-district guidelines, retail space is planned for the ground floor, perhaps with a restaurant in back where the design calls for a courtyard. (The site has long housed University Typewriter and Harvard Provision Company.) The rest of the building will be office space. And though the probable tenants upstairs will be Harvard University Library administrators relocated from Wadsworth House (who know all about historic fabric) and the library’s Weissman Preservation Center, Bruner/Cott representatives say any resemblance between the new building and an open book is not intentional.

You might also like

The Roman Empire’s Cosmopolitan Frontier

Genetic analysis reveals a culture enriched from both sides of the Danube.

Tobacco Smoke and Tuberculosis

Harvard researchers illuminate a longstanding epidemiological connection. 

Discourse and Discipline

Harvard’s Faculty of Arts and Sciences broaches two tough topics.

Most popular

Small-Town Roots

Professors’ humble beginnings, concentration choices, and a mini history of Harvard and Radcliffe presidents

Vita: Fanny Bullock Workman

Brief life of a feisty mountaineer: 1859-1925

Being Black at Work

Realizing the full potential of black employees

More to explore

Illustration of a box containing a laid-off fossil fuel worker's office belongings

Preparing for the Energy Transition

Expect massive job losses in industries associated with fossil fuels. The time to get ready is now.

Apollonia Poilâne standing in front of rows of fresh-baked loaves at her family's flagship bakery

Her Bread and Butter

A third-generation French baker on legacy loaves and the "magic" of baking

Illustration that plays on the grade A+ and the term Ai

AI in the Academy

Generative AI can enhance teaching and learning but augurs a shift to oral forms of student assessment.