Kenneth S. Rogoff

Kenneth S. RogoffPhotograph by Jim HarrisonAs the American under-21 chess champion, Kenneth S. Rogoff decided to "miss most of the last two...

Kenneth S. Rogoff

As the American under-21 chess champion, Kenneth S. Rogoff decided to "miss most of the last two years of high school." He left Rochester, New York, to support himself in Yugoslavia on prize winnings—perhaps an inkling of his international interests. Yale accepted his equivalency diploma; in college he played chess summers only (placing no lower than seventh in three U.S. Championships), indulging instead a new passion, economics, in which he was taught by future Nobel laureate James Tobin. Thereafter, Rogoff dropped out of MIT to play chess until he quit (cold turkey) to earn a Ph.D. in 1980. Professor of economics at Harvard since 1999, he has pursued "problems at the intersection of political economy and economics," a phenomenon he saw firsthand during two years on leave as chief economist and research director of the International Monetary Fund, ending last fall. He has documented the "political budget cycle": governments' willingness to raise taxes, for example, relative to the electoral calendar, and "why voters fall for it." His interpretation of international debt (more symptom than cause of developing countries' weak growth) extends to speculation on "why countries like the U.S. can borrow enough to wrap a rope around their necks several times" while others cannot secure credit. As the new director of Harvard's Center for International Development, he will focus research on "the big problem for the world over the next 100 years": that two billion people are poor although "our world is a cornucopia." On the home front, filmmaker Natasha Rogoff pioneered the Russian Sesame Street, but International Grandmaster Kenneth will teach children Gabriel, seven, and Juliana, five, the basic chess moves.

Most popular

Harvard Divinity School Sets New Priorities

After two years of turmoil, Dean Marla Frederick describes a more pluralistic future for the institution’s culture and curriculum.

Portraying Larry Summers

Celebrating the twenty-seventh president—and assessing his legacy

What Trump Means for John Roberts’s Legacy

Executive power is on the docket at the Supreme Court.

Explore More From Current Issue

Six women interact in a theatrical setting, one seated and being comforted by others.

A (Truly) Naked Take on Second-Wave Feminism

Playwright Bess Wohl’s Liberation opens on Broadway.

A lively concert in a modern auditorium with an audience seated on multiple levels.

Concerts and Carols at the Isabella Stewart Gardner Museum

Tuning into one of Boston's best chamber music halls 

A woman (Julia Child) struggles to carry a tall stack of books while approaching a building.

Highlights from Harvard’s Past

The rise of Cambridge cyclists, a lettuce boycott, and Julia Child’s cookbooks