William O. Taylor

Return to main article:

We note with sadness the death on May 1, at home in Boston, of William O. Taylor ’54, chairman emeritus of the Boston Globe, where he had served with distinction as publisher. Among his many other pro bono activities, Bill was a member of the Harvard Magazine Incorporated board of directors from 1995 to 2001 (much of that time alongside his classmate, Daniel Steiner ’54, LL.B. ’58)—a critical period when the forces now transforming publishing and the media took form and accelerated. His early insights into these changes regularly informed the magazine’s evolving responses. Even after he was diagnosed with a brain tumor in 2009, Bill remained a magazine incorporator and an informal counselor—roles that we especially remember and value. The Editors

Related topics

You might also like

I Used to Think AI Could Make Me a Better Writer

A former Harvard College writing tutor changes her mind on LLMs.

Jack Reardon and Walter Cabot, Remembered

Plus, veteran higher education leader Thomas Ehrlich reflects on university curricula for his 70th reunion

Harvard Magazine Questionnaire: Animal Love Stories

Tell us a story about the unique relationships between the animals in your life.

Most popular

As Union Protests Continue, Stephen Colbert and Yo-Yo Ma Event at Harvard Cut Short

A conversation between the comedian and the celebrated cellist was interrupted by a fire alarm in Sanders Theatre.

Cancellations, Disruptions as Harvard Graduate Student Strike Enters Second Week

Some faculty complain about the protests’ effect on students.

The Poet of Old Age

Donald Hall, chronicler of life

Explore More From Current Issue

Collage of book covers featuring various titles on a vibrant orange background.

These newly released novels, histories, and memoirs grapple with identity in all its forms.

Colorful illustration of a split-level house showing various activities in different rooms.

Can the College do more to prepare students for the real world?

Illuminated hanging sculptures resembling organic forms, casting warm light in a dim space.

Artists Enzo Camacho and Ami Lien turn a colonial symbol from Cambodia inside out.