Longtime Harvard band director Tom Everett retires

After more than four decades of service, the maestro retires next month.

Tom Everett

Tom Everett | Photograph by Jon Chase/Harvard News Office

For more about Everett, read “Three Maestros Talk Music,” a 2002 group profile from the Harvard Magazine archives.

Tom Everett, director of the Harvard University Bands since 1971, will retire from that post as of February 15, 2013, reports the Arts Spectrum of Harvard’s Office for the Arts.

In addition to overseeing the Harvard University Band and its popular halftime shows at football games, Everett has been an associate of the department of music and a lecturer on Afro-American studies and on music, as well as jazz adviser to the Office for the Arts, which shares a building with the bands. The plural is highly applicable, as Everett’s responsibilities have embraced not only the Harvard University Band but the Harvard Wind Ensemble and the Harvard Jazz Bands.

An accomplished trombonist who is comfortable in both classical and jazz settings, Everett essentially brought jazz to Harvard, not only through the performing groups he organized and conducted, but by teaching courses in the Faculty of Arts and Sciences and at the Extension School. He also brought many top jazz performers to campus, both to play and to talk about their music with students.

Everett’s post-retirement plans include travel with his wife, Betsy, and writing about some of his favorite jazz musicians. While the University carries out a search for his successor, assistant director of bands Mark Olson will serve as acting director.

Everett has mentored generations of musicians who have gone on to satisfying and successful careers; among the most celebrated of these are saxophonist/composer Don Braden ’85 and saxophonist Joshua Redman ’91. Both will perform at a special Jazz Bands concert in Everett’s honor in Sanders Theatre on the evening of Saturday, April 13.

For more about Everett, read “Three Maestros Talk Music,” a 2002 group profile from the Harvard Magazine archives that profiles the band leader and two fellow conductors, the late James Yannatos of the Harvard-Radcliffe Orchestra and Jameson Marvin (now retired) of the Harvard Glee Club.

You might also like

There’s a New Sargent Painting in Town

Harvard Art Museums restores a rare glimpse of an American master.

Two Scientists Bring the Laboratory to the Stage

The play Spare Parts is a contemporary fable about the quest to live forever.

How Adam Ehrlich Sachs Writes Absurd and Beautiful Fiction

The Gretel and the Great War author on how the Lampoon derailed his science career—and set him on a literary path.

Most popular

Lafayette’s Unexpected Gift to George Washington: Pheasants

The two birds will be on display at Harvard this summer.

Harvard Weathers a Year of Turmoil

The federal government has launched unprecedented actions against the University. Here’s a guide.

Harvard Alumni Win Two 2026 Nobel Prizes

Karl Deisseroth revolutionized neuroscience. Navanethem “Navi” Pillay has adjudicated cases in international courts concerning genocide.

Explore More From Current Issue

Caricature of a young man in front of red doors, wearing a green striped sweater.

In 1954, Gregory Corso moved into Eliot House. How he stayed there is a literary legend.

A football player in a white jersey evades a defender in a green uniform on the field.

Despite personnel losses, Crimson captain Xaviah Bascon is upbeat about the 2026 season.

Two laboratory researchers, one seated and one standing, in a scientific lab with equipment.

The stakes are high for this husband and wife: one of them will die if they don’t find a cure.