"Battle-Scarred": Harvard exhibit on caring for the Civil War's sick and wounded

What life was like for those who did not die

Civil War amputee Charles T. Green, photographed by William Bell (circa 1864)

Civil War amputee Charles T. Green, photographed by William Bell (circa 1864) | Image courtesy of the Center for the History of Medicine/Francis A. Countway Library of Medicine

The Satterlee U.S.A. General Hospital in West Philadelphia, by Charles Magnus (1864)

The Satterlee U.S.A. General Hospital in West Philadelphia, by Charles Magnus (1864) | IMAGE COURTESY OF THE CENTER FOR THE HISTORY OF MEDICINE/FRANCIS A. COUNTWAY LIBRARY OF MEDICINE

A Salem Leg Company advertisement

A Salem Leg Company advertisement | IMAGE COURTESY OF THE CENTER FOR THE HISTORY OF MEDICINE/FRANCIS A. COUNTWAY LIBRARY OF MEDICINE

Americans can’t seem to get their Civil War out of their heads. It was bloodshed on home ground, and it was hugely bloody, with 620,000 killed in action or dead of wounds or disease. Last December, the Center for the History of Medicine held a program to mark the one-hundred-fiftieth anniversary of the war. Drew Faust, Lincoln professor of history and president of Harvard, spoke on “Civil War and the End of Life.” Jeffrey Reznick, of the National Library of Medicine, spoke on “Disability and the Cultural History of Modern War.” (A video may be seen at https://cms.www.countway.harvard.edu/wp/?p=6531.)

A current exhibition at the Countway Library of Medicine, Battle-Scarred: Caring for the Sick and Wounded of the Civil War, examines the American Civil War from a particular perspective, to commemorate those who died in battle and also document the experience of the wounded and the ill and the men and women who cared for them on the battlefield, in hospitals and prison camps, and on the home front. The exhibition was curated by Jack Eckert and Dominic Hall; an online version created by Jennifer Hornsby appears on the website above.

This lithographic bird’s-eye view from the exhibition of the Satterlee U.S.A. General Hospital in West Philadelphia, done by Charles Magnus in 1864, with the numerous hospital buildings surrounded by a village of tents, gives a notion of the scale of the medical and human problems faced.

All wars lead to advances in the treatment of trauma, and much was learned about amputations and artificial limbs from the Civil War carnage. Charles T. Greene, above, had his leg amputated at the knee after the lower part was carried away by a cannon ball. The photograph, by William Bell, circa 1864, was one of many examples of surgical cases and specimens published by the Surgeon General’s office for the edification of the medical profession.

The many amputations fostered an industry in artificial limbs. The Salem Leg Company had an early lead due to a recommendation by the government. But there was competition. Darwin DeForrest Douglass marketed an artificial leg that he claimed to be far superior to “those cheap ephemeral substitutes known as ‘government legs.’” But consider this testimonial for Salem legs from a soldier: “I work 10 hours every day, and have to stand all the time. Besides that, I walk to and from my meals three times a day, and that is about three miles. As to dancing, I have tried to three times; but as my leg had not been to school, I could not do it very well, but expect to before winter is over.”

Read more articles by Christopher Reed

You might also like

A theatrical reenactment explores a 1976 clash between science and democracy.

The Harvard Arts Medalist wants his smash-hit Cats revival to reach “as many young queer people” as possible.

In her memoir All That's Unseen, Emilee Hackney explores religion, friendship, and home.

Most popular

At informational town hall meetings, faculty and staff press administrators for details.

An animal’s journey from grief to love shows how much humans need each other, too.

2014 financial report on surplus, health-benefit costs, and financial aid

Mining Harvard's fiscal year 2014 report for nuggets on employee benefits, financial aid, and more

Explore More From Current Issue

Massachusetts Hall at Harvard Red brick building with a large clock on top, surrounded by green trees.

With a grade inflation vote and in the courts, the University argued that it’s taking steps to change.

Katie O’Dair in academic regalia holds a ceremonial staff outdoors at a graduation ceremony.

How Katie O’Dair makes kings, comedians, and parents feel welcome on campus.

Aerial view of modern high-rise buildings surrounded by greenery and city skyline.

In a sea of red brick, the Science Center and Peabody Terrace make their mark.