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Staff Pick

Seeing Science

September-October 2019

A color-paper collage used by Edwin Land to develop an influential theory of color vision

(click on arrow at right to see full image) A color-paper collage used by Edwin Land to develop an influential theory of color vision
Photograph courtesy of the Harvard Collection of Historical Scientific Instruments


(click on arrow at right to see full image) A color-paper collage used by Edwin Land to develop an influential theory of color vision
Photograph courtesy of the Harvard Collection of Historical Scientific Instruments

“Visual Science: The Art of Research,” opening September 20, explores how objects and images have long been used to prove or convey scientific principles. The works, drawn from collections and laboratories across the University, can “record fleeting observations, whether a painting of an animal glimpsed in the field, or an interaction between sub-atomic particles that lasts a fraction of a second,” the exhibit notes. “They can also make unseen things visible.”

Like vibrational patterns of sound. “Sand plate” images, based on experiments by eighteenth-century German physicist and musician Ernst Chladni, reveal how stroking a string instrument’s bow across the edge of a metal plate sprinkled with sand shifts the grains into variable designs that trace the vibrational waves.


The image shows an electron spiraling in a high-powered magnetic field.
Image courtesy of the Harvard Collection of Historical Scientific Instruments

Also on display at the Collection of Historical Scientific Instruments gallery in the Science Center is the picture of an electron spiraling in a high-powered magnetic field (above), recorded at the Lawrence Radiation Laboratory, in Berkeley, California. (Lab founder Ernest Orlando Lawrence, Sc.D. ’41, won the 1939 Nobel Prize in physics for inventing the atom-smashing cyclotron, a pivotal breakthrough in conducting high-energy physics.)

The “Mondrian” color-paper collage (at top) is among the 1970s materials used by scientist Edwin H. Land ’30, S.D. ’57, to develop his influential “Retinex Theory of Color Vision.” Land studied chemistry at Harvard, but dropped out and went on to invent Polaroid photography (and co-found the eponymous Cambridge-based corporation; see Treasure, March-April 2017, page 76), which popularized the art form—arguably setting the stage for today’s image-driven digital revolution. 

Harvard Squared

A guide to the arts and culture, history, cuisine, and natural beauty of Cambridge, Boston, and beyond

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An image of a 10-centimeter-wide glass model of Phymactis pustulata, found in intertidal zones in the Western South Atlantic.

A 10-centimeter-wide glass model of Phymactis pustulata, found in intertidal zones in the Western South Atlantic. The Blaschka model is listed in the 1878 mail-order catalog of Ward’s Natural Science Establishment.
Photograph by Peter Fried/Sketchfab.com/ARC-3D

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Aerial view of Essex Bay, part of the coastline north of Boston.

Click on arrow at right to view additional images
(1 of 4) Essex Bay reflects New England’s history and reliance on the natural world.

Photograph courtesy of Essex River Cruises Inc.

Essex, Massachusetts, coastline history

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James Cuno, president of the Getty Trust, draws on his Harvard Art Museums experience in responding to the pandemic.

Photograph courtesy of the Getty Center

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An image of a 10-centimeter-wide glass model of Phymactis pustulata, found in intertidal zones in the Western South Atlantic.

A 10-centimeter-wide glass model of Phymactis pustulata, found in intertidal zones in the Western South Atlantic. The Blaschka model is listed in the 1878 mail-order catalog of Ward’s Natural Science Establishment.
Photograph by Peter Fried/Sketchfab.com/ARC-3D

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Aerial view of Essex Bay, part of the coastline north of Boston.

Click on arrow at right to view additional images
(1 of 4) Essex Bay reflects New England’s history and reliance on the natural world.

Photograph courtesy of Essex River Cruises Inc.

Essex, Massachusetts, coastline history