Two poems from "After Callimachus: Poems" by Stephanie Burt

Fragments from Callimachus, as styled by fellow poet Stephanie Burt

Return to main article:

In an “Imitator’s Note” prefacing her new collection, After Callimachus: Poems, professor of English Stephanie Burt writes, “These pages reflect, interpret, adapt, respond to, and sometimes simply translate the poems, and parts of poems, that the ancient poet Callimachus wrote.” Among them are works honoring the goddess Artemis, the member of the Greek pantheon to whom, Burt suggests, Callimachus may have felt closest: “icon of skill and erotic fulfillment and wildness, and of adventure in a world without adult men.” The selections reprinted* are from the Aetia, his most famous poem and “a big book of explanations,” writes classicist Mark Payne in his foreword: “a four-volume collection of curiosities from the Greek world at large, spliced with poetic theory and polemics, and enlivened with episodes from his own life.”

~The Editors

 

*Aetia, book 1, frag. 31g, and frag. 620 and 731
 Aetia, book 3, frag. 80-82

Excerpted from AFTER CALLIMACHUS: Poems by Stephanie Burt. Foreword by Mark Payne. Copyright © 2020 by Stephanie Burt. Published by Princeton University Press. Reprinted by permission.

 

Read more articles by Stephanie Burt

You might also like

Tk tk Iran

Artist Azadeh Akhlaghi reconstructs moments of Iranian political upheaval in a series of meticulously staged images.

Shakespeare and Stephen King Have a Lot in Common

Shakespeare scholar Caroline Bicks studies horror and fear in literature. 

Mychal Threets Brings ‘Library Joy’ to Harvard

The librarian and social media star gave the keynote address for Harvard Graduate School of Education’s convocation.

Most popular

FAS leaders say restructuring will be complete by mid-October.

In her memoir All That's Unseen, Emilee Hackney explores religion, friendship, and home.

A new federal rule sparks uncertainty for graduate students.

Explore More From Current Issue

A vibrant group of dancers in colorful outfits poses on a stage with shiny decorations.

The Harvard Arts Medalist wants his smash-hit Cats revival to reach “as many young queer people” as possible.

Massachusetts Hall at Harvard Red brick building with a large clock on top, surrounded by green trees.

With a grade inflation vote and in the courts, the University argued that it’s taking steps to change.

Singer performing on stage with a guitar, wearing a hat, and surrounded by band instruments.

Singer Elisa Smith’s whiskey-soaked voice and subversive feminism is part of the genre’s urban shift.