Publisher Departs

A thank you for years of dedicated service

Irina Kuksin, who joined the magazine as finance and administrative director in late 2007 and assumed the publisher’s responsibilities in 2010, retired on March 31. She arrived at 7 Ware Street not long before the financial crisis and Great Recession upended advertising and in other ways threatened the magazine’s economics. In the years since, she has led the essential advertising, fundraising, and marketing teams while keeping careful control of expenses and, of late, coping with pandemic-related kinks in the supply chain for paper, our printer’s operations, and other crises. Throughout, of course, the magazine’s business and editorial staffs have been adapting to increasingly digital modes of publishing.

We salute Kuksin as a reliable, steady partner who has believed thoroughly in, and been completely supportive of, Harvard Magazine’s editorial services to our cherished readers. She departs to spend more time with her family members and to travel—and with our warm best wishes. And our thanks for her willingness to continue serving part-time to oversee financial matters while the Board of Directors searches for a successor.

—The Editors

Related topics

You might also like

Amid contract negotations, two unions are discussing a joint walkout this fall.

The University has pushed the adoption of AI into teaching and operations, but faculty resistance is growing louder.

The division is launching a new fundraising effort to support 50 additional students.

Most popular

The stakes are high for this husband and wife: one of them will die if they don’t find a cure.

A former Harvard College writing tutor changes her mind on LLMs.

Professor Cornell William Brooks and Heritage Foundation president Kevin Roberts hold a lively debate on DEI and Project 2025.

Explore More From Current Issue

A busy classroom filled with students working at computers, colorful decor, and a bright atmosphere.

In 2004, a frenzy spread across Harvard Yard in days. Four billion users later, we are only just catching up.

Caricature of a young man in front of red doors, wearing a green striped sweater.

In 1954, Gregory Corso moved into Eliot House. How he stayed there is a literary legend.

Portrait of a man in a denim shirt beside a blue book cover for "Gretal and the Great War" featuring an illustration of a leg holding an army helmet..

The Gretel and the Great War author on how the Lampoon derailed his science career—and set him on a literary path.