Robert Frank at the Addison Gallery, Andover, Massachusetts

“Robert Frank: The Americans,” at the Addison Gallery of American Art

Three people in 1950s New York

New York, by Robert Frank, negative 1955-56 | Courtesy of the Addison Gallery of American Art

Robert Frank photograph of partially obscured people looking out of windows behind a large American flag

Parade, Hoboken, New Jersey, Robert Frank, negative 1955-56

Courtesy of the Addison Gallery of American Art

Given the current national crises, The Americans, the 1958 book by Robert Frank, is an especially timely document. The Swiss photographer captured a culture in transition: activists and opponents squaring off within a changing racial landscape, people more openly expressing themselves while challenging social norms. New York and Parade, Hoboken, New Jersey are among those on display in “Robert Frank: The Americans” at Andover’s Addison Gallery of American Art through April 11. In one sense, it took an outsider, the exhibit notes, to probe “the defining and enduring dualities of American life and culture—hope and despair, affluence and want, freedom and limitation, community and isolation.”

Read more articles by Nell Porter-Brown

You might also like

Tk tk Iran

Artist Azadeh Akhlaghi reconstructs moments of Iranian political upheaval in a series of meticulously staged images.

Science and art capture the microscopic natural world.

Photographer and writer Morgan Smith chronicles life beyond the violence in Ciudad Juárez and other Mexican towns.

Most popular

All That’s Unseen charts the Harvard graduate’s uneasy journey from Appalachia to Cambridge and back.  

Singer Elisa Smith’s whiskey-soaked voice and subversive feminism is part of the genre’s urban shift.

Harvard Weathers a Year of Turmoil

The federal government has launched unprecedented actions against the University. Here’s a guide.

Explore More From Current Issue

Five individuals are posed in a monochrome outdoor setting near a cinderblock building, some standing, some seated.

Photographer and writer Morgan Smith chronicles life beyond the violence in Ciudad Juárez and other Mexican towns.

Harvey Mansfield seated in a bright yellow chair, surrounded by bookshelves and cozy decor.

The retired government professor has been a rare conservative voice on campus for decades.

A woman with long hair stands confidently with crossed arms next to a pickup truck.

All That’s Unseen charts the Harvard graduate’s uneasy journey from Appalachia to Cambridge and back.