Your independent source for Harvard news since 1898 | SUBSCRIBE

Your independent source for Harvard news since 1898

Features | Harvard @375

Beauty, Bounty, Brio, Buoyancy

Seamus Heaney introduces an anniversary album.

September-October 2011


Photograph by Justin Ide/Harvard News Office


Photograph by Stephanie Mitchell/Harvard News Office


Photograph by Jon Chase/Harvard News Office

In 1986 Seamus Heaney created a true legacy for Harvard’s commemoration of its 350th birthday with his “Villanelle for an Anniversary” (“A spirit moves, John Harvard walks the yard/The books stand open and the gates unbarred.”). Now, a quarter-century on—no longer lecturer, but Nobel laureate—Heaney may have turned the trick again. His lyrical prose preface to Explore Harvard (a lush photo album prepared by Harvard Public Affairs and Communications photographers and writers, published by Harvard University Press) homes in on three images to distill the essence of the place. 

One, of Design School students planting the roof at Gund Hall, “united by a concatenation of ladders which comprise a kind of landlubber’s rigging,” strikes Heaney as a “single ascending upreach whereby the whole thing becomes an image of aspiration, of individual endeavour gaining momentum and meaning from being part of a shared activity.” Another is of a “down-to-earth spade and trowel job,” an archaeological dig in Harvard Yard: “meticulous work, unspectacular but intensely focused, not unlike the workaday attention a student must pay to his or her academic assignments.” The book’s theme, he says, is in the middle course between sky and earth—a condition he calls “buoyancy,” revealed especially in student life, and a characteristic, along with the “collective brio” of the place, of which he was beneficiary as a faculty member from 1982 to 1996.

John Harvard’s much-rubbed toecap completes Heaney’s triangulation: it reminds him of the queries he undertook in 1986 to discover inspiration for his great villanelle-in-making, delving into the original benefactor’s history and the College’s origins “beside the cattle sheds”—familiar terrain for the poet. And so he is anchored in this “beautiful, bountiful cornucopia of images.”

Beauty, bounty, brio, buoyancy: exactly the right terms for a great university—and for Heaney’s creative celebration of this one. Explore Harvard indeed.

Photos from Explore Harvard: The Yard and Beyond, edited by Harvard Public Affairs and Communications and with an introduction by Seamus Heaney, to be published October 2011 by Harvard University Press. Copyright © 2011 by the President and Fellows of Harvard College. All rights reserved.

 

Explore Harvard: The Yard and Beyond ($39.95) is available from booksellers or online at www.hup.harvard.edu.

 

You Might Also Like:

The painting, "Overseers in the Field #1" (2007), informed by Winfred Rembert

Click on white arrow to see full image
Overseers in the Field #1
(2007), informed by Winfred Rembert’s life

© 2021 Estate of Winfred Rembert / Artists Rights Society (ARS), New York.

Open Book: Hiding in a Tick Mattress

Photograph of a mathematician's blackboard, from the book Do Not Erase

Ana Balibanu’s chalkboard, like the others in Do Not Erase, provides a glimpse into the mathematical mind at work.

Photograph by Jessica Wynne

Off the Shelf

Composite illustration of African American poets Phillis Wheatley, Melvin B. Tolson, Dudley Randall, Gwendolyn Brooks, Yusef Komunyakaa, Paul Laurence Dunbar

Left to right: Phillis Wheatley, Melvin B. Tolson, Dudley Randall, Gwendolyn Brooks, Yusef Komunyakaa, Paul Laurence Dunbar. In the background: On Virtue, written in 1766 by Phillis Wheatley

Photomontage illustration by Niko Yaitanes

Critique and Joy

You Might Also Like:

The painting, "Overseers in the Field #1" (2007), informed by Winfred Rembert

Click on white arrow to see full image
Overseers in the Field #1
(2007), informed by Winfred Rembert’s life

© 2021 Estate of Winfred Rembert / Artists Rights Society (ARS), New York.

Open Book: Hiding in a Tick Mattress

Photograph of a mathematician's blackboard, from the book Do Not Erase

Ana Balibanu’s chalkboard, like the others in Do Not Erase, provides a glimpse into the mathematical mind at work.

Photograph by Jessica Wynne

Off the Shelf

Composite illustration of African American poets Phillis Wheatley, Melvin B. Tolson, Dudley Randall, Gwendolyn Brooks, Yusef Komunyakaa, Paul Laurence Dunbar

Left to right: Phillis Wheatley, Melvin B. Tolson, Dudley Randall, Gwendolyn Brooks, Yusef Komunyakaa, Paul Laurence Dunbar. In the background: On Virtue, written in 1766 by Phillis Wheatley

Photomontage illustration by Niko Yaitanes

Critique and Joy