Harvard University Press printer's mark

View diverse versions of HUP's logotype through time.

1924

1924 | Courtesy of Harvard University Press

1925 and 1940

1925 and 1940 | Courtesy of Harvard University Press

1931

1931 | Courtesy of Harvard University Press

1931 and 1932

1931 and 1932 | Courtesy of Harvard University Press

1935

1935 | Courtesy of Harvard University Press

1936

1936 | Courtesy of Harvard University Press

1938

1938 | Courtesy of Harvard University Press

1949

1949 | Courtesy of Harvard University Press

1950

1950 | Courtesy of Harvard University Press

1960

1960 | Courtesy of Harvard University Press

New logo

New logo | Courtesy of Harvard University Press

New logo on book spine

New logo on book spine | Courtesy of Harvard University Press and Chermayeff & Geismar

Shielded Identity

For a hundred years, Harvard University Press appears to have had no logo it could call its own. When a designer fashioned a title page for a book, or stamping for its spine, or a catalog of forthcoming books, or a flyer promoting them, he or she appears to have turned to the type-specimen book of the Printing Office (the office itself closed in 2002) and used one of scores of Harvard shields found there. Sometimes indecision seized the designer, and one shield appeared on the spine and a different one on the title page. Shown here is a small sampling of the shields that have adorned Press publications. Sometime in the mid 1970s, the use of shields became infrequent, and a simple "Harvard" appeared on book spines, in this typeface or that. 

To help mark its centennial, the Press has adopted a new, cohesive visual identity. The logo takes the form of two vertical rows of three crimson rectangles, with the letter H visible in the negative space between the six rectangles. Sagi Haviv, partner at the design firm Chermayeff & Geismar, which worked with the Press to create the new look, said that it will be well suited for a variety of uses: "The new identity is simple enough that it will be effective both in traditional applications, such as book spines and title pages, and also in digital media such as app icons, browser icons, and e-books."

You might also like

America’s Past, Opera's Future: 11 New Books from Harvard Authors

These newly released novels, histories, and memoirs grapple with identity in all its forms.

Boston Ballet’s Ming Min Hui on Changing Audiences and Timothée Chalamet

The outgoing executive director and Harvard Business School graduate went from dancing The Nutcracker to growing a ballet company.

Why Men Have Worn the Same Black Suits for 200 Years

Chloe Chapin trains her Broadway costume designer’s eye on the history of men’s fashion.

Most popular

How Philosophy at Harvard Saved Itself

As humanities shrink across higher education, one department is flourishing. Is its success a fluke, or a roadmap?

Harvard Law School Announces $31.4 Million Donation

The school’s largest-ever gift comes after a year of record fundraising.

Keri Russell Calls ‘The Diplomat’ a Love Letter to Public Servants

A Harvard Kennedy School event looks behind the scenes of the Netflix drama. 

Explore More From Current Issue

Illustration of a phone, book, hourglass, weights, and a hand reaching for a device on a blue background.

Your thoughts on how to regulate the platforms—and stop using them so much

Black and white portrait of a woman with medium-length hair, smiling softly.

The outgoing executive director and Harvard Business School graduate went from dancing The Nutcracker to growing a ballet company.

A woman jogs on a path beside a boy riding a bicycle, surrounded by trees.

Why Harvard Medical School is training physicians to think more like coaches