Back, but Not to the U.S.S.R.

On the sweltering afternoon of July 8, more than 100 onlookers crowded Winthrop Street to watch the Lowell House bells descend...

Photograph by Jon Chase / Harvard News Office

Photograph by Jon Chase / Harvard News Office

Photograph by Jon Chase / Harvard News Office

Photograph by Jon Chase / Harvard News Office

Photograph by Justin Ide / Harvard News Office

Photograph by Justin Ide / Harvard News Office

[extra:Extra]

Hear a last ringing of Lowell House's old bells.

[video:https://harvardmagazine.com/sites/default/files/media/Bells.mp3 width:220 height:20]

On the sweltering afternoon of July 8, more than 100 onlookers (cell-phone cameras at the ready) crowded Winthrop Street to watch the Lowell House bells descend. After arriving at Harvard 78 years ago as refugees from Stalin’s anti-clerical campaign, the bells were returning to Moscow’s Danilov Monastery. While monks conducted a service, the crowd also got a peek at Lowell’s new Russian bells, resting on a nearby truck bed, waiting their turn to ring out over Cambridge.

Related topics

You might also like

Derek Bok donated his car for a good cause.

A theatrical reenactment explores a 1976 clash between science and democracy.

Nobel Prize recipient Joseph E. Murray dedicated much of his career to organ transplant surgery.

Most popular

Harvard art historian Jennifer Roberts teaches the value of immersive attention

Teaching students the value of deceleration and immersive attention

Harvard researchers achieve medical breakthroughs in cancer therapy and infection control.

Harvard Weathers a Year of Turmoil

The federal government has launched unprecedented actions against the University. Here’s a guide.

Explore More From Current Issue

Colorful word cloud with various emotions and ideas related to learning and reflection.

But it can’t replace human connection.

Runners compete on a track, with a Harvard athlete in the foreground and others behind.

After a historic 2025-26 season, athletes eye NCAA championships.

A woman with curly blonde hair sits casually against a stone wall, wearing a black top and jeans.

Chloe Chapin trains her Broadway costume designer’s eye on the history of men’s fashion.