Museum specimens yield new secrets to non-invasive imaging technology

New technology lets researchers see differences inside museum specimens

An earthworm rendered in 3D, with transparent outer skin to show the internal structures
A still from a video shows the internal  the organs of an earthworm, including its four hearts, in blue.
Colored chambers of the heart in a preserved larval axolotl, an endangered salamander
The skull of an anole from Hispaniola, showing the many bones in a lizard’s skull, as compared to a mammal’s

Even to a trained zoologist, one earthworm looks very much like the next. So much so, in fact, that one species generally can’t be distinguished from another just by looking—unless the animal has been painstakingly dissected. Exposing its internal morphology in this way destroys the specimen. The earthworm at right, with its life systems laid out in color, was “wild caught,” according to its record in Harvard’s Museum of Comparative Zoology (MCZ) specimen database, MCZbase. Aporrectodea caliginosa, a common species, was collected in the vicinity of 26 Oxford Street in Cambridge, where the museum is located. “You can imagine the drama” of its capture, quips James Hanken, Agassiz professor of zoology, curator in herpetology, and director of the MCZ.

What makes this lowly worm special is that it has been scanned using micro-computed tomography (microCT). The technology allows investigators to peer inside, to “see” the worm’s internal structures, including the digestive tract (pink), nervous system (yellow), and circulatory system (blue). Each can be studied separately and rotated in space in any direction to facilitate close inspection.

Before the MCZ tried it, no one had used a microCT scanner to image museum specimens, and the project has become an enormous success. The ability to see the reproductive organs, for example—the seminal vesicles, the number of testes and ovaries, and the spermathecae—has allowed researchers to dispel the “taxonomic chaos” that has plagued the study of earthworms.

But the applications are far broader. Such imaging allows the noninvasive study of extinct or critically endangered creatures in the MCZ’s 20-million-plus specimen collections, such as the larval axolotl at left above. Assistant professor in organismic and evolutionary biology Stephanie Pierce, curator of vertebrate paleontology at the MCZ, explains that one of her students has imaged the skulls of anole lizards (at left below) to look at how the inner-ear system (specifically, the delicate vestibular system so crucial for balance and spatial orientation, not depicted here) relates to the braincase bones, and how the vestibular system changes with habitat segregation on islands. For the MCZ, home to the largest university-based natural history collection in the world, treasured specimens can now be safely examined and shared with researchers and students, illustrators, artists, conservationists, and teachers worldwide.

 

Special thanks to the Radcliffe Institute for Advanced Study, which held a symposium, “University as Collector,” in which the earthworm scans were shown to the public, and especially to the Museum of Comparative Zoology.

Read more articles by Jonathan Shaw

You might also like

The Celts in Art and Imagination

A new exhibition at the Harvard Art Museums traces 2,500 years of Celtic art.

Conan O’Brien Named Harvard’s 2026 Commencement Speaker

The comedian, host, and 1985 graduate will deliver remarks at the May 28 ceremony. 

Harvard’s Hasty Pudding Honors Rose Byrne

The Bridesmaids actress celebrated her 2026 Woman of the Year Award with a roast and a parade.

Most popular

Ken Burns on America’s Unfinished Revolution

At Radcliffe, the filmmaker joined Harvard historians to discuss what the nation’s founding means today.

Paul Ryan Warns Congress Is Losing Power—and Blames Both Parties

At Harvard Kennedy School, the former House speaker reflected on executive overreach, DEI, and “wokeism.”

Department of Education Investigates Harvard Admissions and Antisemitism Claims

The University calls federal actions “retaliatory.” 

Explore More From Current Issue

A woman gazes at large decorative letters with her reflection and two stylized faces beside them.

The True Cost of Grade Inflation at Harvard

How an abundance of A’s created “the most stressed-out world of all.”

Illustration of a person sitting on a large cresting wave, writing, with a sunset and ocean waves in vibrant colors.

How Stories Help Us Cope with Climate Change

The growing genre of climate fiction offers a way to process reality—and our anxieties.

Older man in a green sweater holds a postcard in a warmly decorated office.

How a Harvard Hockey Legend Became a Needlepoint Artist

Joe Bertagna’s retirement project recreates figures from Boston sports history.