Allston ArtLab Prepares to Open

An “interdisciplinary laboratory devoted to creativity, innovation, collaboration, and connection” 

Exterior of the ArtLab | Photograph by Clare O’Keefe

Harvard’s new, $12.5-million ArtLab, envisioned as an interdisciplinary center for creativity and innovation on the University’s Allston campus, is undergoing “final preparation” to begin hosting activities in the next several months, according to a University statement today. (A formal opening celebration will take place this fall.) The new facility’s inaugural director is contemporary art curator and arts professional Bree Edwards, who has served as the director of Northeastern University’s Center for the Arts.  

The 9,000-square-foot facility is located on North Harvard Street across from the University’s outdoor track, one block over from the billion-dollar science and engineering building now rising on Western Avenue. It joins an “innovation” cluster that includes the iLab, the Pagliuca Life Lab, and the Launch Lab, a workspace for startups launched by University alumni. The ArtLab, envisioned as a temporary structure with a 10- to 15-year horizon at its current location, will house experimental performance space as well as art and recording studios, a workshop, and offices, and will be open to students and faculty members from across the University.

The facility, which will be overseen by the Office of the Provost, includes spaces for exhibitions, screenings, rehearsals, experimentation, and other types of collaboration. “People often do not understand that artists actually do research,” said Lori Gross, associate provost for arts and culture, “and that is an incredibly important message to convey to the Harvard community and beyond. The ArtLab can become a place for exploration and experimentation.”


Bree Edwards
Photograph by Stephanie Mitchell/Harvard Staff Photographer

At Northeastern, Bree Edwards oversaw performances and gallery exhibitions, an artists-in-residence program, as well as arts scholarship and community engagement. Previously, she served as program director of the University of Houston-based Mitchell Center for the Arts; from 2004 to 2006 she was curator of public programs at the Asheville Art Museum in North Carolina. She holds a master’s degree from the Center for Curatorial Studies at Bard College, and a bachelor’s in photography and social ecology from Goddard College, where she studied art, culture, and social change at the Institute for Social Ecology.   

“Throughout my career I’ve been seeking to be involved in the process of making new work with a range of artists working in different media,” Edwards declared in the University announcement. “There are so few places to show works in progress at Harvard and in Boston in general, which makes the ArtLab truly unique and exciting.” Echoing Gross, she added: “It’s about making the hidden process visible.”

The ArtLab concept traces its origins to a 2008 Report of the Task Force on the Arts that recommended Harvard “create a Hothouse to encourage arts-related collaborative projects.” In a 2017 interview with this magazine, arts and humanities dean Robin Kelsey emphasized that “the dream for Allston is not to turn it into an engineering and science ghetto. The idea is to have a diverse range of intellectual, social, cultural activities taking place on that campus.” He also noted that, for the arts community, “there is something freeing about that new geography” on the other side of the river, which lacks allegiances to any existing campus arts fiefdom.

 

Read the University announcement here.

Read more articles by Jonathan Shaw or Marina N. Bolotnikova

You might also like

After a final round of layoffs, University leaders say 165 staff jobs were eliminated across the division.

A roundup of University news from the summer of 2026

FAS leaders say restructuring will be complete by mid-October.

Most popular

The University will compensate families of those whose remains were sold and establish a scholarship to honor anatomical donors.

The Latest In Harvard’s Fight with the Trump Administration

Back-and-forth reports on settlement talks, new accusations from the government, and a reshuffling of two federal compliance offices

All That’s Unseen charts the Harvard graduate’s uneasy journey from Appalachia to Cambridge and back.  

Explore More From Current Issue

Caricature of a young man in front of red doors, wearing a green striped sweater.

In 1954, Gregory Corso moved into Eliot House. How he stayed there is a literary legend.

Two laboratory researchers, one seated and one standing, in a scientific lab with equipment.

The stakes are high for this husband and wife: one of them will die if they don’t find a cure.

Portrait of a man in a denim shirt beside a blue book cover for "Gretal and the Great War" featuring an illustration of a leg holding an army helmet..

The Gretel and the Great War author on how the Lampoon derailed his science career—and set him on a literary path.