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Treasure

Before Social Media

Radio was the medium that broke the silence.

May-June 2016

First of four photographs showing the “Radio Contact” exhibit at Harvard’s Collection of Historical Scientific Instruments

Scenes from an exhibition: “Radio Contact” at Harvard’s Collection of Historical Scientific Instruments

Photograph by Samantha van Gerbig/Courtesy of the Collection of Historical Scientific Instruments


Scenes from an exhibition: “Radio Contact” at Harvard’s Collection of Historical Scientific Instruments

Photograph by Samantha van Gerbig/Courtesy of the Collection of Historical Scientific Instruments

Photograph by Samantha van Gerbig/Courtesy of the Collection of Historical Scientific Instruments


Photograph by Samantha van Gerbig/Courtesy of the Collection of Historical Scientific Instruments

Photograph by Samantha van Gerbig/Courtesy of the Collection of Historical Scientific Instruments


Photograph by Samantha van Gerbig/Courtesy of the Collection of Historical Scientific Instruments

Photograph by Samantha van Gerbig/Courtesy of the Collection of Historical Scientific Instruments


Photograph by Samantha van Gerbig/Courtesy of the Collection of Historical Scientific Instruments

How many people in the room remember what they were listening to on their bedroom radios in 1945 when the broadcast was interrupted with the news that President Franklin D. Roosevelt had died? This correspondent remembers. He was listening to The Lone Ranger: “Return with us now to those thrilling days of yesteryear! From out of the past come the thundering hoofbeats of the great horse Silver! The Lone Ranger rides again!”

The Collection of Historical Scientific Instruments, in the Science Center, has opened a new exhibition in the second-floor Special Exhibition Gallery called “Radio Contact: Tuning In to Politics, Technology & Culture.” It runs through December 9 and is open to the public free of charge.

Radio broadcasting roared onto the scene in the 1920s, when the first commercial broadcasting stations hit the air with a variety of programs. An introductory text panel for the exhibition sets the scene: families gathered around their sets to hear news on the day it happened. An opera performed in the city could be enjoyed upstate; a Chicago baseball game on the farm. The next 30 years were a Golden Age. Radio delivered dramas such as The Shadow and Mary Noble, Backstage Wife. It introduced millions to jazz, the comedic duo of Abbott and Costello, the iconic voice of newsman Edward R. Murrow.

The exhibition examines the changing technology and culture of listening, tinkering, and broadcasting. The listening section includes a six-speaker sound installation and interactive radio. Museumgoers can listen to once-live news broadcasts of historic events, play-by-play of sporting events, oldie-but-goodie songs, and past political harangues.

“Radio Contact” offers temptations to explore to visitors of most ages, from the old boy wanting to revisit the thrilling days of yesteryear, to today’s well-wired child. Several curatorial students helped assemble the exhibition, and some of them may have learned to their surprise that tuning a radio might require more than pushing a button. They may have learned that grandparents or parents, as teenagers, were out in the garage messing around with crystal sets they had built themselves, fiddling with the so-called controls to hear the faint, unamplified voice of another human being out there on the airwaves trying to communicate.

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Click on arrow at right to see full image gallery

(1 of 9) Typography instructor Herbert Bayer’s design for a cinema (c. 1924-1925) is a stark contrast to the elaborate theaters of the 1920s.
Image courtesy of the Harvard Art Museums and Busch-Reisinger Museum, ©President and Fellows of Harvard College

“The Bauhaus and Harvard” exhibit at the Harvard Art Museums

Portrait of Ruskin by Charles Herbert Moore

Portrait of Ruskin by Charles Herbert Moore

Courtesy of the Harvard Art Museums

John Ruskin, Victorian Radical and Art Historian

Journal from Houghton Library/Photograph by Harvard Library Imaging Services

Houghton Library, MS Eng 1610, vol. 2, frontispiece

Joanna Southcott and “The Songs of Argus Zion”